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Finally. Boka!

April 7, 2018 by K.J. Stone

We expected a level of affectation.  Some kind of reputational gloat. Both were completely not present.  Everything at Boka was unassuming and regular.  Busy night, lots of people, restrained class in the midst of bustle.  And an added surprise at the host stand.  Unconventional beauty that was also pleasant.  All adventures should cast off so nicely.

 

Even with reservations, the wait for a table as took several minutes but was hardly outrageous.    There was a bit of a wait for the table even with reservations.  The bar was full as was every table in sight.  Staying out of the way of the wait staff as we stood awkwardly in a corner was just a practical courtesy.  And the tactic made it better to watch the flow of culinary commerce.

 

There was an initial error in judgment.  Noted for their cocktails, it was easy to fall prey to presumptions.  If mixology is one of Boka’s trademarks, then all of their drinks must be good.  Wrong of course.  No palette is universally receptive to everything and the Devil’s Picnic with its sweet notes and frothy egg white topping may have been better suited to a more feminine palette.  I should have asked what would have been closer to a Manhattan or an Old Fashioned.  It’s always interesting to see those two reimagined in new millennium garb.  Still, the drink proved interesting as it seemed to skirt two different spirit worlds.  One sour, one sweet.

Roasted Spanish octopus with fennel

The austere refinement of the dining rooms served to place all of the emphasis on people.  At night, Boka feels like a confident in its own skin supper club.  The space was a quiet canvas and the diners were its ornamentation.  Every table sat in ease and contented comfort as people talked and ate.  It was a space that encouraged you to leave your cares at the door.  That same nonchalance did not extend to the staff.  Although there was plenty of hustle, nothing was loud or distracting.  A soft undercurrent of tension could only be detected on looks of focused concentration on some of the staff’s faces.  It was completely absent from Matthew’s.  Disarmingly in control and knowledgeable, he quickly and casually dispensed with the preliminaries of water preferences and dietary concerns.  It was clear as the evening progressed that he was listening intently. As courses arrived, some had been subtly adapted to accommodate the few concerns that were shared.

 

One appetizer, complimentary, startled us for both its flavor and its composition.  Carrots had been smoked and diced to the point they had the appearance and flavor of smoked salmon.  Spread on a thin toast and topped with a nori wafer, it had the texture and taste of a delightfully smoked fish.  With the brininess of the seaweed adding to the subterfuge, you’d never guess it was completely vegan.

 

But It was the ordered starter that cemented how remarkable Boka is and has been since 2003.  The braised Spanish octopus with fennel, horseradish and burnt hazelnut was substantial and brilliantly delicate; making every morsel a delight and a wonder.

 

Kitchens like Boka’s are concentrations of techniques that may be as arcane as they are effective in delivering outstanding results.  The seared monkfish with cauliflower, apple and smoked trout roe was the kind of meal that stymies comprehension.  The vegetables, fruit and fish eggs were complementary brush strokes of flavor that intensified

Complimentary after dinner tea cakes and truffles

the sweetness of the monkfish with its beautifully seared exterior and its soft and flaky flesh.

 

It’s understandable why some would think the sous vide method of cooking could have been used to create this marvelous outcome.  But it didn’t. The process was still French.  First the fish is cooked in oil and then elaborately seared in various butter preparations; including clarified butter that allows heating at a higher temperature.  In total the preparation takes about 5 minutes and the results couldn’t be more spectacular.

 

Respect for Boka’s culinary prowess and now enlivened with curiosity about others treasures being created in that sensational kitchen means that a Boka prix fixe has bolted onto the wish list. And hopefully before they turn on Buckingham Fountain.

Filed Under: Feed Me Chicago Tagged With: Boka Chicago

First Taste : Bellemore

March 15, 2018 by Greg Threze

A cocktail and a meal can tell you a lot about a place.  On one extreme, they can let you know never step foot in there again; or they might induce lingering fantasies.  Bellemore, pronounced as if it were two words, dwells in the latter world.
Bellemore dining space

 

Curiosity goes on high boil when you enter and soak in the look of this stage created for dining. Open, lustrous, restrained opulence.  Sprawling.  The first impulse is to explore rather than wait for a table.  Open only a few weeks, there’s still an air of freshness and anticipation in the staff.  Kelly, our table side host, was an integral part of the meal as she guided, explained and joked with us all through the experience.  Her knowledge proved essential.

Bellemore entry and bar

Forces guiding the restaurant, a vehicle to showcase the work of chef Jimmy Papadopoulus, want the food at Bellemore to be “bright, bold, beautiful American cuisine”.  Papadopoulus, whose stint at BoHo (Bohemian House) catapulted him to star status, accommodates mastefully. A fair amount of ink as already flowed extolling the wonder of something humbly called the grilled vegetable soup.  Braised beans, black kale, root vegetables and parmesan come together in familiar and perfect harmony.  A rich broth that binds the flavors while adding its own palette luster is poured over the vegetables as the dish is served in a sturdy wooden bowl.  On that cold winter night, the soup was American fare at its most elemental and it was delectable.

Grilled vegetable soup

 

For anyone who hasn’t roamed the city’s dining playground recently, you might be surprised at how far restaurant bars have come.  Finding a solid cocktail in one now is almost a given. Bellemore’s big sister, the renowned Boka, is acclaimed for the quality of its forward thinking drinks.  Bellemore’s Cure What Ails You could easily rank with any of them.  Whiskey, apple brandy, cynar and fenugreek blend to take the notion of a Manhattan to new peaks and tastes like exquisite music.

 

The trend of appreciating every component of your meal has been with us for some time now and is embraced by leagues of top chefs.  Matching and contrasting flavors to bring  maximum appreciation of each component of the dish is nearly a requirement. Papadopoulus creations may not be truly bold, but they are assertive and unexpected as well as beautiful.

 

Shakerag Blue managed to round out a steady evening of triumphs.  Figs, lavash, seeded granola and whiskey honey joined cow’s milk cheese to playfully transform a homely staple into a silk purse. Wonderfully imaginative and so simple.  Cheese and crackers for kings.

 

 

Bellemore

564 W. Randolph

312-667-0104

https://www.bellemorechicago.com/

Filed Under: Feed Me Chicago

Dishalicious Should Make for Tasty TV

February 20, 2018 by Mitchell Oldham

Proximity to celebrity is as much a draw in the food world as it is in Hollywood, making WTTW’s studio taping of Dishalicious an irresistible draw.  A live cooking demonstration show hosted by Monteverde’s Sarah Gruenberg, whose ascending star began rising with her stint as Executive Chef at Spiaggia, is about process.  Not competition.  She invites three top caliber chefs onto the show to cook in the vein of their specialties.  The three preliminary tapings featured programs based in Italian, Mexican and Korean fare and were recorded before a live audience.
Sarah Grueneberg, chef Monteverde

 

The station recently wrapped up its third taping where the focus was Korean. The roster of chefs participating came loaded with both popular recognition and respect within the industry.  Of the three, Beverly Kim’s star might be shining more brightly at the moment.  The restaurant she co-owns with her husband, Johnny Clark, had Chicago’s food culture quaking with anticipation before it opened.  When the now Michelin starred Parachute finally did fling open its doors a couple of years ago, the reception it received was rapturous.

 

Bill Kim earned his creds years ago when he opened his first Urban Belly in the West Loop.

 

Dave Park completed the trio.  Young, and with a resume that includes time in the trenches at Takasaki and Grant Achatz’s Aviary, Park wears the mantel of a trailblazer.  Although it’s closed now while he fine tunes his next move, when he opened up his own place, HanBun; it became a coveted destination.

Japchae: glass noodles and vegetables

The guys took on the savory options, Japchae with bay scallops and Korean BBQ skirt steak; while Beverly Kim prepared the sweet course.  Her baked apple dessert incorporated roasted miso which brilliantly fused Asian culinary aesthetics into classic Americana.

Wait staff carried platters of each throughout the crowd of 200 or more who braved snowy storm conditions to take part in the event.  An appetizer of radish with kimchi butter conceived by Chef Gruenberg was included with the other items.  As expressions of creative imagination and skillful execution, each excelled.  You were struck immediately by Beverly Kim’s inventiveness and the dexterity in which Park prepared the vegetables accompanied the scallops and noodles.  Bill Kim’s BBQ skirt steak, an homage to how his family prepared the dish while he was growing up in the suburbs, was delightful.

Grainger Studio – WTTW

That such a wide gap in the amount of each course served was a little discomforting.  Waiters started with the radishes and kimchi butter and liberally shared them among the crowd.  Dave Park’s excellent course of noodles, vegetables and scallops followed.  It wasn’t long though before the scallops disappeared from the servings.  Even more disconcerting to some was the dearth of Bill Kim’s Korean BBQ on many of the serving platters.  A few folks who paid $150 each to participate in the taping began going out into the hallway to intercept servers before they entered the studio.  As one person was overheard saying, “You’ve really got to want it”.

 

No such qualms existed with the entertainment aspect of Dishalicious.  Gruenberg’s as approachable as your favorite aunt and shared an easy camaraderie with her fellow chefs.

 

Dishalicous airs in April 2018.

 

Channel 11 – WTTW

Filed Under: Feed Me Chicago Tagged With: Dishalicious Chicago

Restaurant Week Charmer – Tortoise Supper Club

February 13, 2018 by Gladys Anson Leave a Comment

There’s probably a number of ways to do Restaurant Week well and the Tortoise Supper Club’s rendition ranks high among them. Keeping it very simple and straightforward, they corral a diverse selection of their standard offerings and feature them at a dramatic discount.  And they don’t skimp on either the portions or the quality.  The diner gets a true representation what the restaurant brings to the table on a daily basis; allowing them to make a reasoned decision to return or not.

 

Although it’s still not clear whether lunch is absolutely the best way to do Restaurant Week, the Tortoise Supper Club version presents a convincing case for the theory.  Ordered separately on the standard menu, the prime rib sandwich, seasonal (split pea) soup and cherry pie would have totaled $33.85.  Adhering to the city wide standard three course set price of $22 for lunch; Tortoise’s lunch deal is excellent.  Course options are broad enough to appeal to a wide range of tastes and include a tuna poke bowl and whitefish as main entrees.

 

Bacon, finely diced carrots, and onions dotted the rustic and wonderfully savory first course soup.  Ample and succulent slices of prime rib overflowed a warm and crispy baguette.   A light Au jus, mayo and a generous tin of rosemary flecked fries shared a serving board with the sandwich.  The fries could have been less pillow soft and the pie could have been warmed; but those grievances are miniscule compared to the total experience.

TSC Split Pea Soup

 

As delightful as the lunch was, the atmosphere of the room was just a pleasing. Lunch seating is in a smaller eating area adjacent to the main dining room and will be a spoken preference when making future reservations.  With only a dozen or more tables, it’s a much more intimate space and exudes a quiet air of classy serenity.  Crimson walls, low lights and wonderful banquettes in red leather.

 

Waitstaff goes a little formal in black dresses and pearls; adding yet another note of polish to the experience.  Attentive and respectfully cordial, they flowed through the space with efficient precision.

 

Tucked in the shadow of Marina Towers on the State St. side, the Tortoise Supper Club feels like an oasis of calm in the midst of a bustling city.  As an added bonus, for Restaurant Week, TSC also featured Martinis for $6; a $4 price reduction.   The gin version was quite acceptable and just a tad too potent to finish.

 

Tortoise Supper Club

350 N. State St.

Chicago, Illinois  60654

312-755-1700

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Filed Under: Feed Me Chicago

2018 Restaurant Week Primer

February 2, 2018 by K.J. Stone

Even though it seems like restaurant week has been around since David slew Goliath, it’s only eleven years old.  Organized in 2007 to entice people out of their homes and into dining establishments in the middle of winter, it’s proven a roaring success.  The number of participating restaurants continues to grow and the public’s interest shows no sign of waning.  This year, there will be 370 restaurants dangling the alluring restaurant week carrot; up from 349 last year.  The question always becomes, which of those carrots are truly delicious?  And because it’s restaurant week, which is the best deal?
Steak Frites at Naha

With so many restaurants in the game, there are bound to be more than a few that you may have had on your wanna visit wish list.  In order to make sure that visit is all that you hoped for, a little planning is advisable.

 

Some establishments make their participation in restaurant week a commitment to show their best work.  Others do not and create dishes that don’t reflect the character or quality of their standard cuisine.

 

To help diners make more informed choices, both the Chicago Tribune and Chicago Magazine put boots on the ground and tapped into past experience to give a heads up on this year’s lineup.  Combined, their efforts help us to make more informed decisions and learn the indicators that point to a good or bad choice.

 

Cost breakdown is straightforward.  Lunch/Brunch $22.   Dinner $33.  Usually the dinner cost is for three courses.  A few restaurants will offer four courses for the same amount.   Most commonly though restaurants offering four course restaurant week menus will charge $44 for them.  More and more establishments are putting their restaurant week menus on line so you can check which is the case for the restaurant(s) you’re most interested in.  It also gives you a chance to see how intriguing their restaurant week menus are.

 

Both the Tribune and Chicago Magazine agreed on a few sure hits; Naha and Marisol among them.  A little homework and a little luck should insure your Restaurant Week experience will whet your appetite for a repeat excursion next year.

 

Restaurant Week begins January 26th and ends February 8th.

http://www.chicagotribune.com/dining/restaurants/ct-restaurant-week-chicago-reviews-20180129-storygallery.html

http://www.chicagomag.com/dining-drinking/January-2018/Restaurant-Week-2018/

 

Filed Under: Feed Me Chicago

Garifuna Flava: Flavor Oasis in Chicago Lawn

January 20, 2018 by K.J. Stone

When the hunt is on for good jerk chicken in Chicago, don’t assume an easy outing.  That may be because the city lacks the large number of people of Caribbean heritage who make Chicago home as they do in New York and Toronto.  That dearth is reflected in our culinary landscape.  Thankfully there’s a quiet little spot on west 63rd filling the void by offering a number of superb examples of fare characteristic of the region.
Jerk Chicken with sauce

 

Garifuna Flava is a husband, wife and kids operation that’s been making Chicago a better place to eat for the past 10 years.  The family hails from Belize on central America’s eastern coast and a thousand sea miles from Jamaica. That distance means that the similarities between the two cuisines is not really that great.  Based on a recent visit to the restaurant, the Belizean take on at least one Caribbean standard, jerk chicken, equals or out shines what you’d expect to find in Kingston.

 

A lot of that has to do with the fullness of the restaurant’s flavor spectrum and the consistently high quality of the food’s preparation.  When they opened up shop, the neighborhood just assumed it would be a place to get jerk chicken because the word “Caribbean” emblazoned on the restaurant’s awning.  And because that expectation was voiced with such frequency, Garifuna Flava not only put it on the menu; they made sure it was both authentic and excellent.

 

Much of the restaurant’s success rests in the hands of Yolanda Castillo, the chef.  When you can prepare food as well as she does so consistently and so intuitively well, you almost have an obligation to share it with the world.  With the help of Caribbean and African purveyors, she’s able to use herbs and spices unique to her home country to conjure magic in her kitchen.

 

The rice and beans, already delicious without adornment, get another jolt of wonderful flavor with a sauce from the restaurant’s stewed chicken poured over them.  The jerk chicken, already jacketed in heat when they hit the plate, can be further ignited with its own delectable special sauce.  Afro-Belizean food is a mixture of Central American, Caribbean and African influences that coalesce into its own distinctive cuisine.  Some specialties are only available on the weekend like the fried monkfish served in an incredible coconut milk broth.  Succulent and softly sweet plantains are plentiful and the stewed cabbage is tender and subtle.

Jerk Chicken salad

Others have noticed how well the restaurant does what it does. Chowhound loves the place, it’s been featured on Check Please and Guy Fieri profiled Garifuna Flava on his triple D show a few years back.

 

The restaurant takes its name from the people.  The Castillos are Garifunans, people of Central American, Indian and African extraction who populate the tiny country of just over a half million.  It would be foolish to think their small numbers restricts their inventiveness.  Refreshing and light, the restaurant’s Belizean Long Island Iced Tea is a delicious surprise that pairs beautifully with much of the restaurants fare.  Made with rum, vodka, gin and “juices”, it’s also an indulgence that requires restraint.  It’s also a splendid reason to return.

Filed Under: Feed Me Chicago

Exotic Comfort Food at Chicago Curry House

December 15, 2017 by Stevie Wills Leave a Comment

In Chicago’s dynamic food universe, it’s easy to overlook the tried and true.  Places that seem to always be there cooking solid meals with consistency and distinction day after day with or without tremendous acclaim or fanfare.  Places like Chicago Curry House, a quiet little spot tucked away in the 800 block of Plymouth Ct that specializes in Nepalese and Indian staples.
This image is 100% real

 

There’s only one pre-requisite for visiting the restaurant.  You must have a deep appreciation for well prepared, delicious food.  Then it doesn’t really matter if you know a lot about either cuisine.  Both rely on a broad knowledge of spices that run the gamut from mild to piquant to hot.  Like good chefs all over the world, the cooks preparing the food at Chicago Curry House seem to have an innate sense of flavor balance. Expertly composed, the curries always taste delicately complex and are full of the most wonderful flavor touches.

 

The restaurant’s nine-page menu lets you choose from a two-culture spectrum of meals that will accommodate tiny as well as robust appetites.  You’d expect plenty of vegetarian options and the menu dutifully delivers.

Veg Bogan

 

Bordered by China and India, Nepal is vastly more influenced by the latter and the similarities extend deeply into the food.  There may be a few spices used that are unique to the Himalayas but many of the most common are prevalent in Indian cuisine as well.  The difference is in application and if Chicago Curry House is typical, Nepalese cuisine has a tendency to take a subtler approach to the use of spices that shape flavor.

 

There’s also an interesting and wide use of goat, lamb and fish choices that are virtually unheard of in standard Indian fare.  Chicken of course is ubiquitous and can be found here in abundance.

 

Opportunities do a little sampling can be found and the vegetarian or non-vegetarian dinner are good starts.  The equivalent of a generous combination platter; each is substantial. The non-veg of the two arrives on a wooden serving board carrying butter chicken, tikka masala, tandoori chicken and lamb sausages.  They’re all surrounded by fresh cut onions, carrots, cucumbers and sliced lemon.  Pillow soft naan floats down.  Beside it is a bowl of vegetable curry with corn, lima beans, green beans and carrots.  Here the curry is thin and light enough to be a beautifully flavored soup with a pleasing second note of heat following every spoon full.

Non veg Special Dinner

 

Rice is something we all too often take for granted because it’s usually just used as a platform.  A stage for some other star. The Curry House’s long basmati rice is gold.  Impossibly light, each grain is its own delicious morsel; the polar opposite of sticky rice.

 

If you can judge a restaurant by who it attracts, this calm eatery has ingratiated itself on a wide variety of palettes.  Strategically located just outside the Loop and easily accessible from all directions, the clientele is as varied as a Red Line car during rush hour at the Roosevelt stop. And it’s no wonder. Who doesn’t like reasonably priced genuinely good food.  During dinner, there’s even an air of refinement that surrounds the experience.

 

What’s baffling is why the buffet isn’t more popular.  It could be that the set format of buffets lends themselves to staid predictability.  And the commitment to making every dish sparkle simply isn’t as rigorous as it is at dinner.  Still, at $11.95 (weekdays), CCH’s buffet is a bargain writ large. The variety of choices is as interesting as it is impressive.   The Sambar soup, accented with cloves and cooked down to the point of near disintegration, was silken and wonderful.  Sure, the Khasi Ko Maasu, an appetizing goat dish, could have been a couple of tads more tender; but it was still great amusement on the tongue.   Add to that samosas, a Nepali style spicy potato salad, eggplant curry and both Tandoori and butter chicken. The list goes on.  With that kind of fuel in the furnace, you’re set for any battle you possibly face.

Chicago Curry House Buffet

 

 

Chicago Curry House

899 S. Plymouth Ct.

Chicago, IL  60605

312-362-9999

www.CurryHouseOnline.com

Filed Under: Feed Me Chicago

Half Acre Taproom – Hops Delight

December 4, 2017 by Mitchell Oldham

Beer people understand.  A taproom that consistently delivers on great tasting beer is a treasure.  One that also serves up serious eats on the side is just about priceless.  Chicago’s blessed with a few such haunts and Half Acre’s Taproom on Lincoln right now has to rank as one of the best. With its total absence of fanfare on its street face, the taproom is as unassuming as park bench.   But that usually changes to a substantial degree once you walk through the glass door.  If it’s early afternoon, the place will probably be brimming with people.  Standard tables line the front and north wall while the middle of the room is spaciously communal.  Ledges with stools in the back and on the south wall comfortably accommodate a brew and a plate.  Even with all that, there might be a line to get in during warm weather.  Blessed with a two-fold draw, exceptional beer and good food, the room’s a hit.

Its roster board of a dozen or so beers will be home to at least four you’d find wonderfully delicious. Which makes it very easy to order flights.  Two recent additions, Young Cobra, a subtly complex IPA and Bodega Nights, a beautifully balanced Schwarzbier, were particularly noteworthy on the last visit.  It almost didn’t matter what I ordered for lunch.
The Lincoln Ave. location has had a thing with burritos for a while now.  Their BBQ brisket burrito, once a doorbuster and now just a solid staple, remains popular.  The surprise comes in the form of a buttermilk biscuit nestled in with the brisket, cheeses and fried onions.    All burritos come with a side and can be served without the flour tortilla.   The Pineapple Pork Fried Rice burrito was awesome enough without the wrap.

Innovation’s key to the taproom’s approach to food.  Stepping out of convention and combining approachable but unexpected ingredients to add zing, they’ve found a winning zone.   That’s why the brisket includes a biscuit, fried okra is slipped into the Shrimp Po’boy and why broccolini crashed the pineapple pork fried rice shindig.  And they are all escorted by a pasta, vegetable or potato side.  Overwhelmingly popular for good reason, the Chimichurri Red Potatoes can be seen riding shotgun on many tables.
The kitchen side of the taproom’s brain understands people want to be fed when they order a meal; not simply appeased.  And any of the burritos will do that at a comfortable price, between $11 and $14. Just in case you’re not out to truly slay the hunger dragon, smaller plates include made-to-order chips, nachos, Korean short ribs and a number of vegan and vegetarian options.


Its quiet good looks add more than a little bit to the taproom’s appeal.  Many breweries take that stark “it’s all about the beer” look too far.  What’s wrong with a little color or the injection of a touch of adult friendly whimsy?   The Lincoln Ave. taproom does all of that with a light hand and an astute eye to detail; making it welcoming to more types of people.

 

Half Acre Brewery Tap Room

4257 N. Lincoln Ave.

Chicago, IL   60618

 

Filed Under: Feed Me Chicago

Bonci Spittin’ Pizza Fire

November 6, 2017 by Gladys Anson

A pizza town always has room for one more player; especially one with bona fides directly from Rome.  Bonci arrives with tons of cred, a boatload of creativity and a delectable crust.  You won’t be alone if you walk in and fall into instalove as soon as you look down at that long row of gorgeous pizza in big rectangular trays.
Highway to heaven

 

Ground rules:  They sell pizza by the pound, not by the slice.  Each slice is cut with scissors to keep all of the ingredients in place.  The folks behind the pizza are nice.  They know you’ll be overwhelmed if you’re a newbie and will guide you along.  And unless things have changed very very recently, they don’t take cash.

 

Back to the pizza.  Bonci gained fame and fortune with his original pizza al taglio (by the slice) in Italia.  The west Loop location at 161 N. Sangamon (just below Lake) is his first venture in the U.S.  The crusts are all that and then some.  Light, airy and crisp.  A great foil for either uniquely innovative or highly traditional toppings.  You won’t see any menus on their website because the toppings change frequently.  In one season, they plan to run through as many as 45.

 

The great thing about this concept, which combines organic flour, damn near artisanal ingredients and the process of a master craftsman, is that the quality bangs through every bite.  Each slice is about 8” long.  You decide the width.  The average is 2 to 3”.  Hefty.

 

Best of all, you are not limited to one pizza experience when you go. Four slices will fill the average joe to the brim and each slice can be worlds apart from the other three.  Or you can stay within a theme, carnivore deluxe or diva light and subtle.  Of the six slices on the most recent Bonci foray, the spicy eggplant and the meatball pizzas took gold and silver.  All for under 20 bucks.

 

The only regret is that I didn’t eat in.  It was early on a Friday and they weren’t crazy busy.  The space has a nice relaxed vibe at that time of day and pizza with a well bodied craft beer would have been chill.

 

 

 

 

 

 

 

Bonci

161 N. Sangamon

312-243-4016

https://bonciusa.com/

Filed Under: Feed Me Chicago

HaiSous – First Impressions

October 19, 2017 by Gladys Anson Leave a Comment

There is no better introduction to Pilsen than that institution of deliciousness on the corner of 18th and Wood.  But Pilsen is Pilsen.  Full of surprises.  New kids can even come into the hood and shake things up a little.

Some know Pilsen intimately well.  A Vietnamese restaurant taking up residence down the street might not raise an eyebrow. And this is no bare bones storefront.  HaiSous is smooth as glass.  Glittering in gold on the inside; austerely demur out. First thought – the restaurant got lost and thought it was in the West Loop.

Main Dining Room

With mystery and a small blizzard of buzz engulfing it, what could it really be like?  Polished and shy might be a good call.  The restaurant gleamed and the waitstaff blushed.  They don’t seem to understand this menu is not only alien to Pilsen, its alien to just about anybody.  And it’s a tiny menu; at lunch/brunch anyway.  Can you break down Bánh Xèo please?  I got that it’s some kind of a crepe, but how substantial is it?

For others who might be unaware, as presented by HaiSous, this dish is a voluminous bean sprout filled crepe that includes a few shrimp.  Sitting on a wire rack that lifts the dish from the woven tray carrying it, the crepe is beautiful.  The perfect rich golden tan and crisp.  The rest of the presentation shimmied too. An assortment of fresh edible leaves invited tasting and a small dish filled with a dipping sauce sat sentry on the right.  How to eat it was a complete mystery.  “Break the crepe into parts, wrap each section in the large leaves on the bottom of the greenery and dip into the sauce. “ I should have mentioned I don’t enjoy the labor needed to eat lobster; either.  Anyway, make sure your hands are clean for this one.  Neither wonderful nor awful, the dish fell into some netherworld of the more than passable.  Greater complexity in the filling would be a boon.  That may have been the job of the dipping sauce which added immeasurably to the meal.  But you can’t expect it to do all of the work.

Banh Xeo – crepe with prawns

It’s a bad sign when the entire waitstaff recommends the most expensive thing on the menu as a slam dunk. Because I wasn’t sure if the crepe itself would be filling, on my waitress’s recommendation, I also asked for the papaya salad with beef jerky, Gói Du Dú.   Tasty dish.  Needs work.  Half the amount, maybe.   Julienne the papaya by half too; especially if it’s particularly young.   Perhaps sweeten the sauce a bit more and you’ve got a winner at $6.   Not $9.  As it was, like chewing rope.

First impressions, this restaurant is lovely but in serious need of carbs.  Pho is like an afterthought even though it looks like it would nail the hunger thing. HaiSous only offers beef as an option, the most classic rendering.

Admiring the space and glancing to the right at an expansive room that could seat 100, I could only imagine and drool at the spectacle that a hot late night would create.  Aesthetically, HaiSous is a beautiful addition to the neighborhood.  A place to feel classy and cosmopolitan in the middle of thriving complex Pilsen.  Worth a second visit?  A hesitant yes.  To make it a more emphatic affirmation, the quality of the food would have to be much higher which would raise the restaurant’s status to that of destination.  They may get there and the parking will still remain challenging.

 

 

 

HaiSous

1800 S. Carpenter St.

Chicago, IL  60608

312-702-1303

Filed Under: Feed Me Chicago

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Performance

Show Your Gratitude to Chicago’s Arts Community

March 28, 2020 By Mitchell Oldham

2400 Block of Estes Ave. – Chicago – photo City Pleasures

The impact of the coronavirus has unalterably reached into the lives of everyone and shown us of our common vulnerability.  We will rise from the withering blow it’s dealt to our spirits and to the way we are accustomed to living our lives.  

This crisis, like most hardships, does not encroach and disrupt our lives equally.   One’s age, calling, income, zip code and profession all determine how deeply the ramifications of the epidemic affect you. 

City Pleasures covers the arts community.  Actors, dancers, musicians and the venues that showcase their talent are being devastated by their inability to either practice their craft or feature artistic talent.  Because they need our help, City Pleasures is sharing ways that allow anyone financially capable to provide support to do so.  Some of those channels extend beyond the arts and entertainment community by design and list opportunities to also contribute needed relief to Chicago neighborhoods and the most vulnerable.

There are several ways to support the theater community.  Individual theater companies as well as all non-profit arts organization accept support through direct donations, the purchase of a ticket, gift cards or subscriptions.  The homepage of your favorite theater or theaters will direct you on how to do so.

If you would like your contributions to be broad based, the City of Chicago and the United Way of Metro Chicago have launched the Chicago Community Covid-19 Response Fund “to unite the funds raised by Chicago’s philanthropies, corporations and individuals to be disbursed to nonprofit organizations across the region”, including those in the arts. 

Click here to donate:  https://www.chicagocovid19responsefund.org/

One Chicago entertainment institution’s Training Center is taking comedy to the clouds by offering classes online. To find out more about or enroll in Second City’s comedy at home lessons, visit:   https://www.secondcity.com/comedyfromyourcouch.   Areas of focus include “Creating and Pitching Your TV Series”, “Teen Standup” and “Voiceover 101”.

Day of Absence, Refreshed and Brilliant at VG

March 6, 2020 By Mitchell Oldham

Sonya Madrigal, Ann Joseph, Bryant Hayes – Jazmyne Fountain photography

When Douglas Turner Ward wrote his pioneering one act play, Day of Absence, in 1965; he had a very clear intent.  He wanted to write a play exclusively for a black audience.  An audience that did not then exist. He was also working with a highly specific set of objectives.  Expectedly, he wanted to write a play that spoke to the lives black people lived, but he also aimed to create a work that was implicit and allowed his audience to fill in the blanks.  One that was subtle and edged with fine threads of sophistication.  And just as importantly, he wanted to write something that did not put his audience to sleep.

He came up with two plays, both in one acts, Happy Ending and Day of Absence that played simultaneously at the St. Mark’s Playhouse in New York.  Both plays grew legs and are regularly reprised on the contemporary stage. 

Douglas Turner Ward – photo courtesy WNYC

When they were originally created 55 years ago, Ward also had to track down and recruit an audience by going anywhere the black public gathered; social clubs, union halls, beauty shops to rustle them up.  His tactic worked and the productions played over 500 shows at the St. Mark’s. 

Congo Square is only presenting Day of Absence on Victory Garden’s Christiansen stage right now.  And as wonderful as it is, the current production won’t be running as long as it did when the play debuted back in ‘65.   Making it even more of a must see. Even today it’s startling to see what Ward did with this jewel.  A spare play with very few props, Day of Absence, like any top-tier theatrical creation intended for live performance, thrives on a gleaming story and fantastic characters.  And it achieves everything Ward originally hoped to accomplish plus. 

Taking an approach that says, “We know how you see us, now let us show you how we see you”, Day of Absence is all about reversals and looking at the world through different eyes.  Normally, the cast is all Black.  But this updated adaptation broadens what “black” is by making it anyone not white; resulting in cast made up of both brown and black performers.

Kelvin Roston Jr and Ronald L. Conner – Jazmyne Fountain photography

The overriding constant is that the play is still performed in white face, (and lots of wigs) with minorities portraying whites in a small southern town.

Opening quietly, a couple of regular guys working in a mall are just getting their day started. Luke (Ronald L. Conner) and Clem (Kelvin Roster, Jr.) share small talk southern style and toss shout outs to regulars as they peruse the routine landscape of their work lives.  Clem’s older and Teddy Bear homey, Luke’s younger, gruffer and lost in his cell phone.  It takes a minute or two, more like several, but Clem finally picks up on something.  Something that’s not quite right or out of kilter.  Suddenly stricken, he realizes he hasn’t seen a black person all day.  Half the population.  Luke’s slower to accept something that ridiculous.  Until he can’t do otherwise. 

Jordan Arredondo, Meagan Dilworth – Jazmyne Fountain photography

Performed as satire, Day of Absence chronicles what happens when a constant of life disappears.  One that you may take for granted, resignedly tolerate or even benignly dismiss depending on your mood.  More interestingly, it’s a story about how people react.  What do they say and do in what quickly escalates into crisis and chaos. 

Anthony Irons directed the production and achieved a master stroke by having his characters, or more precisely his characterizations, vie with the plot for overall strength.  The way Ronald Conner portrays nonchalant insouciance is about as winning as it gets.  Later we find him equally transfixing playing a completely different role.  Roston, with his delicious phrasing and the pitch perfect softness of his drawl, is just as effective as Clem.

Ronald L. Conner, Ann Joseph – photo Jazmyne Fountain

The action streams briskly through three backdrops.  The mall, John and Mary’s bedroom and the mayor’s office.  John (Jordan Arredondo) and Mary (Meagan Dilworth) make their discovery of the vanishing rudely when their new born wails plaintively through the night and there’s no one to tend to it.  There’s no Kiki, no Black three-in-one, nursemaid housemaid cook, to intervene and relieve the stress of parenthood.    Dilworth’s Mary is so preciously inept at doing anything useful you’re tempted to feel sorry for her.  But that sympathy would be horribly misplaced.  Dilworth still makes a splendid Mary whose only skill is to function as a household “decoration”.  Arredondo as her husband fills his role to the brim with manly character and pragmatism.  When he valiantly volunteers to go the hood to look for Kiki and finds nothing short of a ghost town where “not even a little black dog” could be sighted, he’s all business and entitled indignation.

Ward created the consummate repository for the town’s angst and ire in the mayor.  And director Irons knew exactly how to shape the character as an unforgettable foil. Unflappable and supremely confident, the mayor’s sense of privilege and the power she insinuates take on regal dimensions.  In the right hands and under the right direction, it’s a fantastic role and one that Ann Joseph fills beautifully.  Ordinarily a male actor plays the part and Jackson is the last name of his female personal assistant/secretary/gopher.   Here Jackson is the second role Mr. Conner inhabits so vividly and with so much virtuosity.  Always on point and a bit self-consciously effete, he’s deferential to a fault and ever vigilant about watching his own back.

Ward shrewdly built a lot of humor into the play.  And this effort takes advantage of every morsel.  It even adds more zest causing the whole affair to frequently tip over into the hilarious.   The perfume skit alone deserves its own baby Tony award.  Despite the outright comedy, the underlying subtext couldn’t be more biting.  Bryant Hayes as Clan and Kelvin Roston, Jr. in his dual role as Rev. Pious represent the true demons Ward is battling in his lasting contribution to the American stage.

This adaptation, cleverly updated with the playwright’s permission, makes it shine like new money.  

Day of Absence

Through March 27, 2020

Victory Gardens Theater

2433 N. Lincoln Ave.

773-871-3000

www.congosquaretheatre.com

A Fiery Birthday with the Boys

February 25, 2020 By Mitchell Oldham

William Marquez, Kyle Patrick, Sam Bell Gurwitz, Denzel Tsopnang in Windy City Playhouse’s Boys in the Band, photo credit Michael Brosilow

Time and a change of perspective can allow you to appreciate things you once abhorred. That maxim can be true of many things.  Music, art, food.  People.  It was true of Boys in the Band.  When Mart Crowley’s 1968 bombshell of a play rolled out on celluloid in 1970, it rightfully caused the world to shutter.  Never had anyone so boldly pulled back the curtain to reveal the inner-life of the dispossessed as vividly or as candidly as Mr. Crowley had done.  Now celebrating its 50th anniversary, people are still wondering how accurate his painful picture of gay life is.    

Having recently experienced the very fine Windy City Playhouse immersive take on the play, there’s no doubt many will be wondering the same thing 50 years from now.

The cast of Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

Listening to Mr. Crowley talk about how he came to write his landmark; how he was broke, out of work, without prospects and angry, the cathartic aura surrounding the play was finally given a cause.  Still, because you don’t expect friendship to take on such ruthlessly hurtful dimensions, those explanations don’t satisfy the question of intensity or the depths of some the play’s caustic plunges.

William Boles scenic design played a key role in helping to provide the audience a tactile understanding of the times, place and people at this dark birthday party Michael (Jackson Evans) was throwing for his newly 32-year-old best friend Harold.  Ushered six at a time through a tastefully appointed residential lobby and taken up the pretend elevator to the 5th floor, the audience enters Michael’s resplendent apartment as if they themselves were guests.  The party hadn’t started.  Michael wasn’t there.  You could walk around and admire his beautiful spirit decanters.  The lovely artistic touches.  The drama of the sunken conversation pit.  70s chic at its highest.   All in deep red with accents in gold and in blue. The room radiated not only success, but power.

The set of Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

After everyone’s settled, Michael sweeps in doing last minute party preparation things.  Putting the food out and the music on.  You notice that even when the first guest, Donald (Jordan Dell Harris) arrives, things aren’t particularly warm.  Nor are you immediately clear on Michael and Donald’s relationship.  They’re more than just friends but not exactly lovers either?  And even though Donald’s sparring skills are impressive, Michael seems to take pleasure in baiting him with petty criticism.  Everyone else flows in shortly after Donald goes up to change.  Emory (William Marquez) and Bernard (Denzel Tsopnang) arrive together.  Lovers Larry (James Lee) and Hank (Ryan Reilly) are carrying the vestiges of a something bitter between them into the party.  It’s a spat that will continue to swell throughout the play.  Then Harold’s birthday present gets there much too early.  A prostitute, Cowboy is as dull witted as he is beautiful.  Even though he’s taunted by nearly everyone for his lack of intelligence, he’s also silently envied for his physical exceptionalism.  And there’s a straight outlier in the mix.  Michael’s close friend from college, back in a time when he was still in the closet, was in town and needed to see him.  So much so that he wept with desperation when talking to Michael on the phone.  Not being able to dissuade him, Michael invited Alan (Christian Edwin Cook) to the party as well, hoping to somehow camouflage the party’s gay complexion.

Christian Edwin Cook as Alan in Windy City Playhouse’s production of The Boys in the Band, photo credit- Michael Brosilow

The dynamics of the party are already roiling by the time he shows up.  Emory is being quintessential Emory.  So gay.  Not defiantly; more in a liberation of self sort of way.  His racial digs at Bernard, the only Black member of the party, were unsurprisingly catty but very curious.  Were these swipes supposed to be expressions of the times are something else?   Marquez made a splendid Emory.  Later, when he apologized to Bernard for his callousness, promising not to cause such conscious hurt in the future, he was contrite enough and sincere enough to be ingratiatingly convincing.  Which highlights one of key joys of the play; it’s exceptional casting.  The spat that would not die between Hank and Larry centered on Larry’s inability, in fact his refusal, to be faithful to Hank; who had left his wife and children to be with him.  Both James Lee as Larry and Ryan Reilly as Hank deliver a lot of honesty in their portrayals of what two people, who genuinely love one another, are willing to sacrifice to conquer an imposing barrier together. 

Denzel Tsopnang, William Marquez, James Lee and Jackson Evans in Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

Christian Edwin Cook’s characterization of Alan, Michael’s straight friend, proved the most surprising because of the voice director Carl Menninger chose for him to use.  He spoke with the diction and phrasing characteristic of blue bloods in the era when the Carnegies and Vanderbilts were flying high.  His speech alone set him apart from everyone else at the party.  Emory’s effeminacy however brought out his bile and even pushed him to violence.  His punishment:  he must remain at the party. 

Unfortunately, Tsopnang’s Bernard was the least developed of the eight central characters.  When Michael comes up with his insidious parlor game of calling the person you’ve always in your heart-of-hearts truly loved, and telling them your feelings for them, Bernard’s the first to gamely take up the challenge.  It was only then did we catch a tiny glimpse of his inner core.   By this time, everybody had had enough liquid courage to consider doing something so exposing and so ripe for humiliation.  Who Bernard chose to call was also marked by the kind of class and race disparities that shout futility. 

Jackson Evans and WIlliam Marquez in Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

Harold (Sam Bell-Gurvitz) had grandly made his infamous “32-year-old, ugly, pock marked Jew fairy” entrance by the time the game was in full swing.  Despite it ushering in the possibility of something positive for Larry and Hank, as it continues, the game seems to dredge up nothing but pain.  Michael’s adamancy about playing it turns pathological when you realize he’s the only one not drunk.  He’s been on the wagon for five weeks and therefore without an excuse for insisting that everyone take this wanton drive off a cliff.  When it back fires, sorrow for him does not exist.  And when he makes his plea like statement, “If we could just not hate ourselves so much”, you wonder why he doesn’t just direct that question to himself. 

Stonewall happened just one year after The Boys in the Band premiered off Broadway.  Led by a fistful of outraged fed-up drag queens, another landmark, gay pride, was born.  It’s fascinating to look at these two milestones side by side.  Whether you consider them a “before and after” or a continuum, they both are about community; with all the complexity the word embodies. 

Under Mr. Menninger’s enlightened direction, and mounted on Mr. Boles sensational set, Windy City’s staging of The Boys in the Band has proven a highpoint in the theater season.  It’s also an ideal example of how well an immersive approach to theater aids in fully absorbing a captivating story.

The Boys in the Band

Through April 19th, 2020

Windy City Playhouse

3014 Irving Park Rd.

Chicago, IL   60618

windycityplayhouse.com

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