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K.J. Stone

The Virtue of a Vision

February 19, 2020 by K.J. Stone

Chef Erick Williams – photo courtesy of Pinterest

Was eating out ever just utilitarian?  Something you do to satisfy your hunger and nothing else?  If those days ever existed, they’ve gone the way of the brick sized cell phone. Eating out is doing something adventurous, satisfying a curiosity, indulging a craving, commemorating something special or succumbing to a guilty pleasure (Crisp).  We dine out to be stimulated as much as to fulfill a basic need.   Eating out is also a landscape where second chances can pay big dividends.

Following the noise coming from a chorus of both local and national publications about Hyde Park’s Virtue restaurant on 53rd St. and capturing a hip top near the bar after finally walking in one early winter evening felt like win.  The dining room was open but booked for the whole night; making that high top even more prized.  But then the ceaseless wait began; followed by exasperation and a premature departure.  Deciding not to blame the restaurant for a rogue waiter, a reservation was placed for the main dining room several weeks later.   That decision kept spinning gold when we landed in the restaurant for the redo.

Catfish, Carolina gold rice and barbeque carrots – photo courtesy of TimeOut

53rd St. has turned into something that would be comfortable in Brooklyn or the new gentrified Harlem.  It’s got the look and feel of a certain kind of urbanity.  Not too polished and not too slick; with enough rough edges to keep things interesting and distinctive. Virtue fits very comfortably in this milieu and attracts a highly-varied mix that enjoys a little refinement, a little pampering that comes with attentive execution and the kind of urbane spirit anyone can appreciate.

Improved, the bar experience showed no sign of the renegade waiter but still displayed the same openness and easiness that filled the room the first time around.  Not at all anemic or lackluster, its take on a Manhattan turned out to be bold and interesting.  Not a pinnacle cocktail but certainly very respectable one.

(l) gizzards and dirty rice, squash (top) and gumbo

Service had done an about face; making the main dining room experience exceptional; if safe.  Most queries were answered with detectable caution.  But always with an engaged awareness and knowledge.  An unexpected chance to share a moment with the chef had its own rewards as he explained how he knew full well expectations he labored under were different.  Higher.  Which is why he places such a premium on the quality of his diners’ service.   With his standing as one of the country’s premier Black chefs and stellar reputation that follows him from MK, he’s already more than proven himself.  For chef Williams, Virtue is in a sense a chance to give tribute to the person who inspired him, his grandmother.  The person who instilled the joy of serving people excellent food.  

Leaning over a little conspiratorially, the woman at the next table wondered if she could ask a question.  “Are the pictures you’re taking going to end up in a review?”  We both laughed at the reply. She went on to say she and her husband were in town from Virginia visiting a hospitalized relative.  A host at her hotel recommended Virtue to them.  “My family’s from North Carolina and we know soul food.  This is clean soul food.” That it is. Grander, finer, and more exalted, too.  A mac and cheese with truffles kind of world; which was wonderful.  She seemed more than pleased with her collards and smoked turkey.  Her husband quickly chimed in his enthusiastic approval of his beef short ribs with crushed potato and creamed spinach. 

Acorn squash with pecans and orange vinaigrette

Very pleased overall, there were still a few bumps at our table.  The gizzards with dirty rice and gravy would have cleared the moon if the gizzards hadn’t been over salted.  On the flip side, the dirty rice sang arias of delight with their wonderful depth and tiers of flavor.  Reserved and rather humble, the gumbo could have used a little shake up; a kiss of zest to lift it to gumbo excellence.  And a little beyond the typical scope of many restaurants focusing on southern food, but very fresh and creative, the squash with coconut, pecans and a light orange vinaigrette stood out as a great balancer and a hint of the innovative wonders dwelling on the other side of chef Williams’ culinary brain.

The gizzards soon got whisked away, were replaced and chef Williams dropped by again to check in.  His concern for our satisfaction was genuine and he clearly placed a high value on honest feedback.  Judging from the blissful comments filtering in from surrounding tables and the all of the contented faces relishing his food, the house was full of customers thoroughly enjoying their time at his warm oasis of a restaurant.  Much of that satisfaction may be due to how well the chef listened and responded to meaningful feedback in the past. 

Oddly, the charm of Virtue is embodied in its plates. They’re beautiful throwbacks to a time and place when hospitality and good food in a southern context were a way of life.  The warmth of that hospitality poured as much from the diverse clientele as it did from the restaurant staff.  It’s not terribly difficult to find dining spots that are welcoming and warm, but it is very rare to find them filled with the spectrum of humanity that expresses the richness of the city.  For the food and for the vibe, Virtue excels.

Virtue

1462 E. 53rd St.

Chicago, IL  60615      

773-947-8831

Open Wed – Sunday

Dinner only except Sunday

virtuerestaurant.com

Filed Under: Feed Me Chicago

Value at the Top

December 9, 2019 by K.J. Stone

Beverly Kim and Johnny Clark – photo courtesy wttw interactive

Sometimes that rare occasion arises when “first tastes” takes you both to the old and the new in short order.  Late in November, we saw and tasted how three accomplished chefs at two restaurants harnessed their ambition, drive and skill to claim their places at the summit of Chicago’s restaurant hierarchy.  Sarah Gruenberg’s Monteverde has been around since 2015 and enjoying its seat among the elite since it opened.  The other is only months old.  But with its glittering pedigree and the outstanding dining experience it offers, Wherewithall has already captured the admiration and respect of both industry influencers and the public.  Neither restaurant is completely what you’d expect.

Sarah Gruenberg – photo courtesy

If you don’t know the system, getting into Monteverde can pose challenges.  It took a lot of trial and error on Resy to figure out you need to book one month ahead to get a table.  Surprising, since for many of the premier restaurants in town, it’s not that difficult reserving seats one to two weeks in advance.  So why is the lead time doubled?  One reason becomes clear once you get your bill.  Even when you splurge on a birthday outing, the final tab is going to be shockingly reasonable.  That affordability and the wonderful food may also explain why the restaurant felt a little like New Year’s Eve when we walked in at 7:30 that Sunday night. 

You should never presume how a place is going to look unless you like being wrong.  Monteverde provides few visual clues it’s an Italian restaurant.  There’s no need.  The focus is on two things, the service and the food.  All a restaurant needs to be is clean.  Even though the 95-seat eatery is very dark, which can also be viewed as romantic, it was clear hygiene was not an issue.  A trip to the beautiful Scandinavian clean bathroom sealed that assessment.

Monteverde Interior – public domain image

Wherewithall, the latest venture of a married pair of wunderkind, followed the aesthetic cues of its Michelin starred sister, Parachute, a few doors up the street.  Co-owners and co-chefs Beverly Kim and Johnny Clark have long wanted to broaden their cooking expressions and open a contemporary-American prix fixe restaurant in a neighborhood setting.  The creativity and excellence they unleashed with Parachute a couple of years ago never fully satisfied their culinary dreams.    

Spare, efficient and tasteful, the aim at Wherewithall is to please the eye, not dazzle.  A comfortable and welcoming bar greets diners when they open the door.  Around a wall on the left, tables run down the center of the main dining room with a short wall dividing them into two rows.  Beyond the bar, a courtyard and private dining area expand the restaurant’s utility.

Wherewithall Interior – photo courtesy of culinaryagents.com

A pet peeve lingers regarding many restaurant dining rooms these days. Their industrial seating schemes with tables lined up virtually shoulder-to-shoulder to maximize capacity can make private conversations taxing.  Gone are the days where you might find one or two two-tops tucked in corners or floating like not too distant islands in the middle of the room.  Somehow Wherewithall managed to make that problem go away while keeping diners in tight proximity to each other.  Even though the restaurant was teeming, conversation was refreshingly easy with virtually no spill over dialog filtering through from either side. 

Because Monteverde felt so much like a party, the close quarters weren’t as disturbing as they might have been.  But you were always conscious of the bordering tables and would have found a bigger bubble more comfortable.

Monteverde’s wok fried arrabiata

Restaurant service seems to be undergoing a renaissance.  It’s as if they’ve come up with a way to prepare, train, nurture and reward waitstaff in a way that makes them indisputably exemplary.  Radiant at both Monteverde and Wherewithall, the style of service at each reflected a level of quality one thought had been lost to the ages.  It was that personal at both.   Casual, attentive, exceptionally knowledgeable and willing to go beyond the expected to please made the service at each restaurant as memorable as the food.

When asked about what kind of vegetables could be had with any of the entrees made Allison, the woman handling our table at Monteverde, chuckle.  There were some roasted ones on the menu she responded, “but Monteverde is all about the pasta”.  Boasting a horde things that teased the imagination, the menu was just large enough to bewilder.  Allison helped navigate us through the choices and select several very pleasing options that included wild red snapper, the burrata e ham and wok fried arrabbiata.  It was all a little rustic, appreciably plentiful and consistently delicious.

Peach sorbet with thai chilis and spices at Wherewithall

Under the prix fixe banner at Wherewithall, you just sit back and wait for the magic.  Courses change virtually daily and the set price of $65 includes appetizers, a main course that’s served in stages, dessert and unexpected extras like a refreshing spiced peach sorbet palette cleanser.  An additional $45 nets a highly-recommended wine pairing.  Chef Clark curates the wine selection and has some real gems stashed away in his repertoire and matches them to dishes with just a hint of mischievous cunning and a lot of skill. The 2018 le raisin et l’ange, a blend of merlot, gamay and Grenache he chose to complement the steelhead trout, braised cabbage and huckleberries, displayed his adroitness at highlighting kindred flavors. 

Like Monteverde, Wherewithall was light on vegetables the night we visited.  It was of little consequence at either restaurant.  In their own way, each revealed how interesting pinnacle dining can be in Chicago as we close out another year and each proves you can get it at a genuine value.  Always a good discovery when you’re rolling the streets for a “first taste”.

Monteverde Restaurant & Pastificio

1020 W. Madison St.

Chicago, IL   60607

312-888-3041

reserve.com

monteverdechicago.com

Wherewithall

3472  N. Elston

Chicago, IL  60618

773-692-2192

opentable.com

Filed Under: Trollin' Adventures

Crawl and Discover

September 22, 2019 by K.J. Stone

Approach matters when it comes to a restaurant crawl.  Now in its eighth year, the Wicker Park-Bucktown Fall Dinner Crawl can consider itself a veteran of this kind of dining sport. With the neighborhoods’ dense restaurant proliferation and a broad spatial footprint, splitting the crawl into two routes made perfect sense.  Held last Tuesday night, the Fork route ran along North Ave. with a few stops scattered on Damen, Milwaukee and Wabansia.  Division St. functioned as the Knife route’s heart.

Both routes counted nine restaurants in their number; many of them well known and respected.    Even under vigorous scrutiny, they seemed evenly matched which made choosing one uncomfortably difficult.  Amaru, Urbanbelly, Knead Pizza and Café Robey helped carry the Fork’s flag while Ina Mae’s Tavern, and Packaged Goods, Antique Taco, Smoke Daddy and Pub Royale teamed up with five other eateries to do the same along Division. 

A roll of the dice landed us on Knife but it took a couple of days for opinions to gel regarding the experience. The discovery of Tous les Jours helped nudge the needle more firmly in the direction of success.

West of Ashland, Division turns into a lively and sophisticated restaurant row.  Many of dining spots like Boundary and MAK chose not to participate in this year’s event.   That didn’t mean the one thing most people look for in crawl, variety, wasn’t met.   Inspiration and imagination may have been lacking here and there, but range was not.  An assortment of Persian, Indian, southern and French influenced food was woven into the trail as well as a clever take on tacos.

That’s one reason why Tous les Jours’ star still blazes so brilliantly in our minds.  That a cafe specializing in pastries and sweets got tucked into the route wasn’t surprising.  The soaring enthusiasm radiating from the manager, who greeted every wave of crawlers with the same ingratiating spirit, was.  The café’s space may have been tight but so was its organization and planning.  An assortment of small cakes neatly lined the east wall waiting for guest selection. A separate shelf held goody bags as parting gifts.  Light, delicious and moist, both the tiramisu and the chocolate cake with strawberries had sensational texture and lightness; prompting a trip to the display cases in search of things to take home as eatable souvenirs. The quality of its desserts and the café’s unforgettable hospitality made Tous les Jour repeatable as well as memorable and set them apart in this year’s event.

When asked what the secret weapon was going to be at this year’s crawl, Pamela Maass, Executive Director of the Wicker Park Bucktown Chamber of Commerce, didn’t hesitate and said, “the number of restaurant’s offering vegetarian, vegan and gluten free options”.    They made an impression on the Knife route.  Antique Taco’s potato and poblano taco was a splendid composition of flavors.  Subtle, pleasing, fresh and intriguing, it provided that flash of creativity you always look for on an excursion like this. 

Starting at 6 and even with quick stops, every minute counted in the three hours allotted for the stroll. Seeing in quick succession how starkly restaurants vary in their temperament as well as their appearance proved tremendously entertaining.  Those character differences trickled down to the waitstaff where panic might be threatening to overwhelm one restaurant while Zen like calm reigned at another.

And what about tips?  Often the food was served buffet or cafeteria style so tipping wasn’t an issue.  But just as often waitstaff stuck to tradition and served.   Even though every table may be getting the same thing, conscience dictates an acknowledgment gratuity.

At $35 plus service fees pre-order or $40 the day of the crawl, The Wicker Park Bucktown Fall Dinner Crawl amounts to a fire sale.  That breaks out to less than $5 for each stop and makes restaurant participation look like an act of civic largesse.

On a beautiful night like the one gracing the Wicker Park Bucktown Fall Dinner Crawl with an easy ebullience permeating the entire evening, sliding from restaurant to restaurant felt like a gourmand’s version of trick or treating.   That sense of adventure and finds like Tous les Jours make the dinner crawl an entertainment form worth seeking out.

The Wicker Park Bucktown Fall Dinner Crawl

Sept. 17, 2019

www.wickerparkbucktown.com.

Filed Under: Feed Me Chicago

Evanston Ramen Hero: Table to Stix

September 12, 2019 by K.J. Stone

Spicy Miso Ramen – photo City Pleasures

Why ramen?  It’s just broth, noodles and toppings, so what’s the fuss?  Fortunately, more of us are discovering the irresistible appeal of one of Japan’s most generous gifts to the world.

There are lots of reasons why one of Japan’s most popular soul food/fast food wonders is gaining in popularity.  The main one is taste.  Ramen, when prepared with skill and knowledge is not only delicious, it is wondrously gratifying.  And it possesses that elusive fifth flavor known as umami that adds a unique savory richness to a dish.  Serious home cooks as well as chefs crave to capture umami magic in their meals.

At Table to Stix, a young restaurant on Evanston’s Davis St., the chefs have learned the art of consistently filling bowl after bowl day, after day, with ramen’s satisfying perfection. That steadfastness has earned them an appreciative and loyal following in their spare, modern and hip little outpost across from Bennison’s bakery.

Seriously good ramen is all about the broth and that’s certainly true at Table to Stix. Other actors in the bowl are plenty important, but without a sensational broth, the meal can easily be an also ran.  Like most traditional ramen establishments, there are three key broth types you’ll find described on the menu; shoyu, shio and miso.  They’ll provide the flavor base for your protein choice; pork, chicken or prawns.   You can also go strictly veg.

Chicken karaage and spicy edamame – photo City Pleasures

Some broths like shio are lighter in color and saltier.  Others like the miso powered broths can be much bolder and deeply complex.  With its incredible depth and engrossing levels of flavor, Table to Stix’s Spicy Miso ramen knocks robust out of the park.  Toppings on a broth this spirited should arrive with their own strong appeal.  In the spicy miso, each one is an unqualified star.  Brussel sprouts are halved and charred just enough for them to release their sweetness and add a bit of dryness to their texture.  Sweet corn is genuinely sweet and plump and join scallions, thick succulent discs of pork belly, dry chili strings and of course the requisite boiled egg; also halved and cooked just to the point of setting.  They’re all nestled in their own little neighborhoods on top of the bowl of ramen. At the bottom, another savory delight, wonderfully seasoned spicy ground beef. 

Ramen, when you consider how filling and nutritious it is, makes a perfect go to in the dead of winter when you looking to turn up your body’s thermostat as well as be filled.  And winter’s when you can expect the longest waits for a table.  But even at the height of summer, there’s still something enticing about feasting on these heaping bowls of plenty.  You can always go a little less heavy and opt for the shoyu prawn ramen.  Its base is lighter and less intense allowing the tenderness of tempura prawns to shine through along with the bok choy, scallions, naruto fish cakes and wood ear mushrooms. 

Or you can skip ramen all together.  With the restaurant’s variety of small bites and buns, it’s easy to slay the hunger dragon with a medley of straightforward, well prepared and tasty down menu options.  The bulgogi pork buns are beautifully done.  Marinated, thinly sliced and filled with their own umami splendor, they have the fan base to prove their appeal.  If you’re pork or meat averse, the pork belly can be swapped out for crispy chicken or deep fried potato and vegetable croquettes called korokke.  For many the two cloud-soft buns filled with any of these choices could function as a satisfying meal.  But stopping there wouldn’t be advised. Better to balance the meal out with a seaweed salad whose sweetness and brightness make a great counterpoint to fried foods or the richness of pork.  Spicy edamame would work just as well.  Suck the tangy coating from the pods before breaking them open to free fat green pearls of perfectly al dente edamame inside.  Ramen toppings come as sides too so enjoy the Brussel sprouts or sweet corn on their own stage.  The chicken karaage (fried chicken) comes to the table with a baby of a bowl filled with a jazzed-up mayo/aioli that has the color of turmeric and only the slightest hint of heat.

Bulgogi Pork Buns

The restaurant’s owners opened Table to Stix hoping to capitalize on their proximity to Northwestern University and the ravenous throngs studying there.  That objective explains the many high topped tables with backless stools. The style also fits the traditional ramen shop aesthetic.  Perfectly comfortable to most, they may prove challenging for others.  Fortunately, there are a few tables of standard height scattered around the space. 

Price points are reasonable enough to fall within even a student’s budget and service hovers between sufficiently courteous and attentive to very attentive and friendly.  And servers always make a special effort to greet every customer with a hello and leave them with an amicable goodbye. 

Table to Stix

1007 Davis St.

Evanston, IL  60201

847-859-6847

www.tabletostix.com

Filed Under: Feed Me Chicago

Bronzeville at the Top of the Food Bowl

August 15, 2019 by K.J. Stone

Bronzeville Chef’s Revival and Homecoming – Chicago Tribune 2019 Food Bowl

One of the jewels of this year’s Chicago Tribune Food Bowl settled in Bronzeville Sunday afternoon. The Food Bowl is one of the city’s newest food extravaganzas with the stated mission of celebrating the entirety of Chicago’s dining scene, from the ever so humble to the ever so grand.  The two-week festival features an impressive range of innovative experiences that highlight the breadth of culinary choices Chicagoans enjoy and divides events into eight categories. Sunday’s event, the Bronzeville Chef’s Revival and Homecoming at the Parkway Ballroom on King Drive was part of the Giveback series and would benefit the Edna Lewis Foundation.  Lewis achieved notoriety as a chef in 1940’s New York with her restaurant Café Nicolson and is credited with inspiring generations of African American chefs.  Her career went beyond validating traditional Southern cooking by expanding our understanding of what soul food is and what it can be.  Connecting the event to her stature heightened the afternoon’s expectations. 

Nine chefs, with two of them focused on pastries, prepared examples of what constitutes contemporary soul food in the city.  Most served dishes that rest at the core of what soul food is understood to be.  Gumbo, crispy (fried) chicken, barbeque, greens and macaroni and cheese.  Many of them celebratory standards in the Black community.

Erick Williams’ (Virtue Restaurant – Hyde Park) composition of seared summer squash, pickled bing cherries, sunflower seed butter and sprouts was beautiful, delicious and completely surprising.  Not only were the ingredients wonderfully fresh, each component played like notes of music in a lovely melody.  The tender sweetness of the sprouts was particularly memorable.  Using local honey to act as the thread that tied everything together, the squash turned out to be an ideal complement to the richness present in other entrées.

A study in focus preparing squash at Virtue. – photo City Pleasures

There were other standouts but none held quite the same jolt of delight as the squash.  Strangely, mixed reactions surrounded Bernard Bennett’s smoked rabbit hot links.  The choice of meat may have been a little too far afield for some but no one quibbled about the flavors which were marvelous. Bennett (Big Jones – Andersonville) achieved something of a coup with his outside the box approach.  Using a vehicle that’s slightly milder than pork and carries the faint hint of game in its palette profile upended a hallowed tradition and worked beautifully.  Pairing it with standard pork rib tips and a bi-color corn pudding made for a novel culinary tribute to culture.

Seafood and bacon gumbo with shrimp – smoked rabbit hot link, pork rib tip, bi-color corn pudding – photo City Pleasures

Maybe the deep old school vibe DJ Ayana Contreras was throwing down helped, but the easy conviviality of the 100 plus people attending the event lent a distinct warmth to the festivities.   And it seemed to make you want to eat more.  Presenting roast turkey, collard greens and (Edna Lewis) mac and cheese, Bon Appeitit Management’s Kenneth Dixon was ready with an all-encompassing feast that resembled a little sliver of an African American holiday table. Moist and succulent, the turkey was unassailably good. Although billed as spicy and despite the presence of distinct notes of heat, the greens were anything but intimidating and thoroughly acceptable.  The beautiful texture of chef Dixon’s mac and cheese couldn’t have been more comforting; but a stronger stance on seasoning might have made them even more delicious. 

Spicy collard greens, roast turkey and Edna Lewis mac and cheese – photo City Pleasures

Serving gumbo in a vessel no bigger than a sherry glass may have seemed a little mean-spirited, but there was no faulting the balanced perfection of the light roux Darnell Reed (Luella’s Southern Kitchen – Lincoln Square) created to prepare it.  And the ham dripping butter Brian Jupiter (Frontier – Ina Mae’s) used on his crispy chicken added another layer of decadence to a soul food classic.

Popular and appreciated, the most welcoming bar anyone could dream for served beer, wine, sangria, margarita’s and Uncle Nearest Tennessee whiskey with an easy hospitality that seemed to bring a little New Orleans charm to the Windy City.

Strawberry-basil key lime pie & praline cupcake – photo City Pleasures

Maya Camille-Broussard (Justice of the Pies) and Brown Sugar Bakery’s Stephanie Hart lay in wait in the ballroom’s hidden treasure of a courtyard with fairy tale pretty desserts in a perfectly idyllic setting. The velvet smoothness of Camille-Broussard strawberry-basil key lime pie was nearly as beguiling as its light peekaboo flavors.  Hart enlisted her own version of sublime textures in the batter used for her pineapple-coconut and praline cupcakes.

As an introduction to what adventures and discoveries this year’s Food Bowl might hold, you’d be hard pressed to top this venture honoring the contributions of Ms. Lewis.  Her youngest sister, Ruth Lewis Smith, was on hand to thank everyone for attending, applaud her sister and provide living proof how fiercely 95 years of age can be rocked.

Bronzeville Chef’s Revival and Homecoming

August 11, 2019

Parkway Ballroom

4455 S. Martin Luther King, Dr.

Chicago, IL    60603

Filed Under: Trollin' Adventures

A Tale of Two ‘Ques (part 2)

August 10, 2019 by K.J. Stone

About 30 blocks south of The Full Slab and just west of Western is a whole new breed of BBQ oasis.  Loaded with quaint charm outside and what looks like a take-off of an Italian beef franchise inside, Nine One One BBQ Shack in Evergreen Park has tapped into a whole new rule book for running their business.  Comfortable seating inside and out, tidy, neat and cozy, you might feel a little disoriented when you walk in and look around.  Compared with many barbeque outposts, Nine One One is downright inviting.  And the phalanx of young faces manning the counter not only seem genuinely warm in their greetings; they’re more than willing to engage with customers and help them navigate the menu.

Because they looked so “right’, it was hard passing up any of the sides.  Spaghetti had recently been added to the choices and, according to the server, has already become very popular.  Along with the spaghetti, sweet potatoes, corn bread, and mac and chess join forces with the more typical greens, baked beans and fries to act as culinary supporting players.

Nine One One BBQ Shack – photo City Pleasures

If you grew up with more than a little awareness of food preparation below the Mason-Dixon line, you immediately notice some similarities.  Like how the pasta for the spaghetti gets mixed into the ground beef flecked sauce giving it the pale orange hue of saffron.  You’d think without more sauce the flavor would be washed out or neutralized.  Instead, the tang of the tomato remains vibrant and there can often be a slight sweet second note that comes through the way it does here.  Delicious. 

Neither overly boiled or watery, the greens hold their integrity with the leaves retaining a good bit of their texture and keeping their natural earthy sweetness.  Even after years eating and cooking them, it’s hard to say whether any have been as beautifully flavored as the greens that Saturday afternoon. Even the stems were delectable.

Brisket combo at Nine One One – photo public domain

Sides at Nine One One can outshine the star attractions.  Not only are they delectable, portions are honest attempts to balance and accentuate whatever meat option you choose; which includes chicken.  Although at least one side accompanies most standard orders, more is available in either small ($2.99) or large (4,99) servings.

Genuine anybody pleasers, you could taste the care and attention in preparing both the ribs and tips. Succulent, bold and pristine.  The tips especially were precisely cut to maximize their meatiness and therefore their value. A good complimentary adornment, the sauce did a fine job highlighting the quality of the main events.

Rib Tips with Fries and Coleslaw at Nine One One – photo public domain

It’s the delivery system the restaurant uses for its hot links that really caught our attention.  The top and bottom buns have been completely separated with a moist spice enhanced link squarely lined up between them.  The restaurant dunks each of the rich tender brioche like ends in a wonderful sauce that’s full of zest and depth.    The dish’s vitality is a complete surprise and the approach turns a delightful entree into a magnificent one. Nine One One’s macaroni and cheese could have benefited from more dimension in its seasoning; but its texture and portion size makes it an ideal complement to any of the main courses. 

And there’s even a tasty finisher.  Although the one of owners sometimes bakes cakes to broaden the selection of desserts; a cinnamon forward peach cobbler is always a ready and solid go to.

Nine One One BBQ Shack

2734 W. 111th St.

Chicago, IL  60655

773 – 238- 9111

www.nineoneonebbqshack.com

Closed Sundays

Filed Under: Feed Me Chicago

A Tale of Two ‘Ques

August 6, 2019 by K.J. Stone

BBQ’s like bacon.  It enjoys a natural allure.  Maybe it’s the primitivism of its origins.  Something about the pure honesty of meat on flame and enveloped in smoke.  Time and technique gave it nuance and tenderness.  Sauce gave it another layer of bold flavor.

With scores of pits dotting the city, it’s easy to satisfy your craving to gnaw succulent meat off bone.  But what if you need to be strategic and only have once in the entire year to enjoy this most tantalizing of treats?  What do you do?  Especially if you don’t want to waste your shot on the mediocre. 

Fortunately, the Trib’s Nick Kindelsperger did the leg work a couple of months ago to uncover those establishments (six in all) that offer some of the best ribs in the city.  City Pleasures checked out two of them and is up to vouch for the superiority of both. 

The Full Slab, just south of 83rd Street on Stony Island is so classic in appearance it could almost be a cliché.   There’s no bullet proof shield separating customers from the restaurant’s staff but all the elements that characterize a no-frills operation are there.  The work takes places on the north side of the counter and customers stand along the south wall while they wait for their orders.  Since there’s no sit-down service, chairs and tables are completely absent.  Big playful advertising posters promoting the restaurant line a corridor and make up the only decoration.  The feel’s clean efficiency.

Dangling in the 90’s, temperatures made the restaurant just bearably sticky.  Welcoming and cordial despite the heat, the staff didn’t even seem annoyed with the light shower of questions about recommendations and food preparation.  Settling on a half slab and rib tips with a variety of sides, we patiently chilled and watched someone hand cut potatoes for fries.

Curiously small servings of sides seem to be a staple of most traditional bbq “shacks”.   A couple of dollops of greens or baked beans don’t usually qualify as true accompaniments to a meal. But in the world of BBQ, no one quibbles.  At The Full Slab, the hue and odd bitterness of the greens made them taste as if they had been braised.  And something left an odd lingering aftertaste making the meager portions more than adequate.

A conversation with another customer gave us the sense The Full Slab’s secret weapon might just be their sauce.  We decided to choose wisely from four choices: Chicago (mild and sweet), Memphis (tangy vinegar based), Carolina (sweet mustard based) and Flaming Hot.  Even though we were a little taken aback at the carnage when we opened the Styrofoam lid of the tips; the first bite dispelled any concerns about the integrity of the meat.  Roughly and unevenly chopped, the meat was still pliable, wonderfully tender and unquestionably delicious.  The sauce made them sensational despite the lack of visual bounce.

Rib Tips and Fries at The Full Slab – photographer unknown

Ribs fared much better on the eyeball test. They looked meaty, substantial and appetizing as they poised on a large mound of fries; generously doused with sauce.  And again, it’s the sauce that’s radiant, or even brilliant, at The Full Slab.  The meat’s toothsome, plentiful and more than satisfying.  But it’s the layered complexity of the sauce that sets the restaurant apart from others in Chicago practicing the grill arts.  They’ll even mix the sauces to give you the heat level or flavor profile you’re looking for.  The balance of sweet (Chicago) and heat (Flaming Hot) proved ideal for not only the ribs and tips, it even added interest to the fries.   They’d have been bereft of excitement without it.  

Because of their popularity, the cashier also recommended the turkey tips.  But their high demand also makes them hard to score.  One day they had run out by 6pm and it would be a couple of hours before more would be ready.  On another they weren’t ready for sale even after noon and wouldn’t be available until midday.  Fortunately, the ribs and tips with their covetous sauce are all reasons to return on their own.

The Full Slab

8340 S. Stony Island Blvd.

Chicago, IL  60617

312-620-7522

www.thefullslabchicago.com

Tomorrow:  Nine One One –  Evergreen Park

Filed Under: Feed Me Chicago

Writer’s Theater Delivers Another Coup

June 20, 2019 by K.J. Stone

Inspirations, even when they spring from nowhere, can still end up remarkable artistic creations.  To hear playwright Brian Yorkey tell it, his Tony award winning Next to Normal now playing at the Writers Theater in Glencoe was just a “what about a play about” idea.  Astonishing that a mere whim could carry such force.  The play, a journey into the slow disintegrating impact of mental illness; placed in the framework of a musical, was odd at first.  Until you realize much later how much in common it has with opera.  Serious subject matter. Awash in emotion. And filled with exquisite music.  Considering how well it succeeded, calling it a tour de force wouldn’t be a stretch.

Of course, musical theater is no newbie when it comes to taking on serious topics.  Few can claim Next to Normal’s singular focus though. Diana Goodman’s descent into the morass of bipolar disorder initially shocks us because the first glimpse we have of her and her family is so ordinary.  She’s the one who come across as canny and cool as she spars and banters with her son and husband.

But that’s one of the points of the play.  Even the most normal of us can be nudged over the edge.  Often triggered by a traumatic event, it was the sudden death of her infant son that bumped Diana (Keely Vasquez) over the precipice.  And, as often happens with mental illness, it snatched up her family too like a cloaked tornado sending them all careening through episodes of uncertainty, confusion and for some, resentment.

Working with Tom Kitt who composed the play’s music, Yorkey penned the lyrics and as well as the script.  He deserves accolades for not only showing the raw torment mental illness exacts but also for revealing how love, even when it seems to be flowing only one way, can nourish and sustain the prospect of positive possibilities. 

Opening with benignly average dialogue between a mother and her teenage son, performed partially in song, the sweet cheeky exchange suddenly becomes startling when you realize she’s having this conversation with someone on the other side of the veil.  Her son, Gabe (Liam Oh), who died in infancy, lives only in her imagination.   He’s always an integral part of the performance throughout.  A character with whom only Diana interacts but who exerts tremendous force on the lives of his father Dan (David Schlumpf) and sister Natalie (Kyrie Courter); the play would be empty without him.  

Yorkey proves himself extraordinarily adept at making sure that conversations between characters is as effective in song as it is in speech and his consistency adds to the work’s brilliance. 

The audience doesn’t know what Diana’s husband and daughter already understand until we watch them catch her making sandwiches on the floor.  The scene sets loose questions about medication efficacy and their bizarre side effects; and about guilt and passive defiance.  Now we begin to understand the tension we noticed earlier between the mother and daughter.  Diana thinks Natalie is smart but weird and that her husband is good but boring.  She doesn’t seem to comprehend though how her illness distances her from them both.   All three wear the fatigue of people who’ve lived too long time in the trenches.

An overly conscientious high school kid who spends too much of her time alone and is reproachful of her parents, Courter’s Natalie is particularly intriguing. Her portrayal makes Natalie infinitely relatable by letting you see enough of the character’s vulnerability to recognize her pain.  It takes a persistent classmate and unrepentant stoner with boyfriend aspirations, Henry (Alex Levy), to keep chipping at her wall and make her realize and accept her own humanity.

Perfect for You, a song sung in tandem to both Natalie and her mother by the men in their lives is made more powerful because it causes you to wonder at the resilience of love.  It’s also, uncharacteristically, a surrender song sung by guys.

Every member of this demanding and complex story stands tall and is impressive throughout.  Alex Levy in his role as Henry manages to ingratiate on first sight and becomes even more appealing as he discloses his character’s open heart, thick skin and dogged persistence.  Liam Oh’s Gabe, the boy who lived only in his mother’s unending regret, brimmed with talent and energy.  For a kid who’s still in college, Oh deserves a bright future on the stage.  The same can be said for Kyrie Courter.  Bright, brash, defiant and carrying a hurt as deep as the Grand Canyon, her Natalie balanced casualty and fighter beautifully.  By absorbing the play’s intent so well, Garcia’s Diana let you feel her journey as if it were your own.

One of the many beauties of theater is its unparalleled ability to take us just below the surface to expose what life looks and feels like behind the front door.  Wrapped in a poignancy that’s neither soft or cloying, that capacity is the play’s crowning achievement.   The operatic scope and flirtations with tragedy certainly contribute a somber patina to the performance.  But what you remember most is the way it never loses its grip on hope.

Next to Normal

through June 30, 2019

The Writer’s Theater

325 Tudor Court

Glencoe, IL  60022

www.thewriterstheater.org

847-242-6000

Filed Under: Theater Reviews

For the moment, go for the wine

May 16, 2019 by K.J. Stone

Napolita Pizzeria and Wine Bar

Napolita Pizzeria and Wine Bar has enough charm to make you give it a whole handful of second chances.  With its devoted local following and exceptional wine offerings, there are reasons to keep the sophisticated little outpost on Wilmette’s main drag in your suburban play cycle when Neapolitan pizza crosses your mind. 

Sometimes thought of as a purist’s pizza, the Neapolitan approach has everything to do with simplicity.  A few top tier ingredients and classic flame baking have been resulting in a delicious all in one meal for over 200 years.

Originating in Naples, the first Neapolitan pizza featured only three ingredients in its center, tomatoes, mozzarella and basil; the colors of the Italian flag.  In 1984, an association was founded to formalize the standards needed to qualify as a true Neapolitan style pizzeria.  Requirements not only included the use of a wood fire dome oven but also the use of refined Italian type 0 or 00 wheat flour.  Only a few hundred restaurants carry VPN certification worldwide and Napolita is one of them. 

The second outing to the restaurant proved that things can still go wrong even though you’re working with all of the right tools.  Early on, all of the bells were ringing.  Happy Hour starts at 2pm and features half off bottles of wine listed at $78 or less.  Glider smooth and just the right balance of soft sweet and touch of tart, a Pieropan from Veneto Italy proved sensational.  Rice ball appetizers were also a great pick.  Not quite as big as a baby’s head, they were still opulent, well-formed and stuffed with beef, parmigiana, bel pases (a semi-soft cheese) and peas.  A bit too mildly seasoned but lovely to behold.  In the end, they represented the highlight of the dining portion of the meal.  That and the take-your-breath-away fresh Caesar salad with its subtle anchovy infused dressing.

arancini di rosso (rice balls)

The jury may be out forever on what should go on a traditional Neapolitan pizza or even how it should taste.  Few will argue high quality ingredients invariably insure the purest flavor profile. These days, toppings vary widely as they do at Napolita.  The key is to keep them down to just a few per pizza.  Many say the crust or base of the pizza should be thin with the charring on the puffed border reflecting a proper baking temperature.  Early Naples pizzas didn’t go beyond 10” because a raw tomato sauce made them difficult to slice. 

Our crowd didn’t stick with the tradition.  Some chose a salsiccia rossa consisting of house made sausage, roasted peppers, caramelized onions, mozzarella and basil while the conscientious went for the vegetable centric like the quattro stagioni (artichoke, mixed olives, mushrooms, cheese).  Although they all looked stunning and presented extremely well, taste didn’t match the visuals.  The base of each was ever so slightly wet and tough; giving them far too much chew.  The caramelized onions had no sweetness and the sausage was devoid of salty richness.  It’s dismaying to say a frozen pizza would have been better. 

That disappointment didn’t damper curiosity about the restaurant’s pasta menu.  Thinking of dinner later, ziti Genovese with beef ragu’ as its base and an earthy mushroom risotta sounded like great take home treats.  Again, flavor in the ziti was more phantom than real.  Neither raves or rocks were thrown at the risotto.  It was simply a rather drab appearing adequate. 

Early happy hour meant the restaurant was idling on purr.  Service was attentive, a little shy and helpful.  The restaurant, enveloped in dark wood and scaled for conversation, is inviting and gracious.  I’ve got to believe somebody there knows how use that oven the way it’s intended.  We’re more than ready to go back and find out.  Besides, the wine’s great.

Napolita Pizzeria & Wine Bar

1126 Central Ave.

Wilmette, IL  60091

224-215-0305

napolitapizza.com

Filed Under: Feed Me Chicago

Schwa Song

April 12, 2019 by K.J. Stone

Schwa Restaurant Wall

In the twelve years since Michael Carlson created Schwa, jolting the city’s dining scene with a completely new take on how fine dining can be done, the commitment to vision still seemed thoroughly intact last weekend.   

If you’ve never been and only know what you’ve read about the restaurant, you may still be surprised when you enter the space.  Stripped of all the finery normally associated with sophisticated dining, you’re essentially in the middle of the dining room floor as soon as you cross the threshold.  There’s a small wind break that shields the room from direct contact with the outside world; but the room itself is remarkably small.  Lighting is low, walls are dark and those already seated and in the throes of the experience seem to be having a delightful time.  You immediately notice the laughter and the excellent hip hop/dance leaning music spilling from restaurants speakers.

Everything’s spare, efficient and reveals a knowing eye for essential beauty.  Attractive doesn’t have to be soft and polished.  Sometimes it can come with a harder edge and feature bare light bulbs and painted walls that look like they’d be right at home in a turn of the century gentleman’s club. 

Waiters are chefs and chefs are waiters without necessarily looking the part of either.  In black T-shirts, baseball caps and bandanas, the absence of pretense is refreshing and novel.  You get the sense that each person on staff is an invested ambassador who can give you in depth back stories on each dish if they weren’t so busy on the floor and in the back

Welcome to Schwa

The food is all you’d hope for in the best of the best.  Painstakingly inventive, there almost seems to be a conscious decision to lather each course in layers of complexity.   Menu descriptions only scratch the surface of what’s being plated.  The first Welcome to Schwa course beautifully typifies what that means.  It’s current configuration still uses a long wooden board with piped cream-textured dots and dashes running across it. Reminiscent of the muted colors of fall, the design is Morse code spelling at times “welcome” and others “Chicago”. This night the restaurant has decided to employ perfect golden puffs of hollow bread as the course’s wing men. A small glass cup of clarified chocolate is on hand to help slide it all down.  It’s a startling presentation and you’re not really sure how to attack it.  Fortunately, a young woman at the next table volunteered her expertise.  Break the bread and swipe it through a portion of the “code”.  Then pop in your mouth.  Bliss.  The cardamom and curry waltz lovingly over your tongue while the bread adds texture and warmth. Sips of warm chocolate ideally balance to the course’s soft toned spices. 

If the evening’s room is any clue, Schwa enjoys a large and youthful following that may be a byproduct of its casual accessibility and its comfort with the grit of contemporary life.

Each of the ten following courses continued to either marvel or delight; often both.  The ravioli with truffle, ricotta and quail egg was bold, assertive and Cartier classy.  The black cod dressed in mole Amarillo, stinging nettles and white copal, whether considering flavor, texture or complementary profile accents, was perfect in every detail.

Agnolotti, maize, whiskey, popcorn

Probably the most unusual dish centered on the varied dimensions of corn.  Tiny edible flowers are tucked in a halo of maize surrounding a corn broth with a single agnolotti pasta packet filled with popcorn submerged below.  The dish’s sweetness is almost brazen but carefully muted by the neutral texture and taste of the maize. 

Protein is well represented in the menu’s roster.   Caviar, the superb cod, sweetbreads, an exceptional lamb ingeniously prepared with coconut and green curry followed one after another in unhurried procession.       

The longer you linger over your meal, observing and absorbing the room, appreciating the knowledgeable and open staff; it’s no wonder thoughts begin to wander to opportunities for a return.  Don’t be alarmed if you also wonder what kind of leftovers may be in the fridge when you get home.  Schwa doesn’t use an “insurance” course that’s noticeably more substantial to guarantee even the most demanding appetite is satisfied.  With the restaurant generally introducing a new dish every month, you’ll still find yourself mulling over the thought of a new reservation to check out what’s rolling out of that tiny magic kitchen.

Schwa

1466 N. Ashland Ave.

Chicago, IL  60622

773-252-1466

Filed Under: Feed Me Chicago

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Show Your Gratitude to Chicago’s Arts Community

March 28, 2020 By Mitchell Oldham

2400 Block of Estes Ave. – Chicago – photo City Pleasures

The impact of the coronavirus has unalterably reached into the lives of everyone and shown us of our common vulnerability.  We will rise from the withering blow it’s dealt to our spirits and to the way we are accustomed to living our lives.  

This crisis, like most hardships, does not encroach and disrupt our lives equally.   One’s age, calling, income, zip code and profession all determine how deeply the ramifications of the epidemic affect you. 

City Pleasures covers the arts community.  Actors, dancers, musicians and the venues that showcase their talent are being devastated by their inability to either practice their craft or feature artistic talent.  Because they need our help, City Pleasures is sharing ways that allow anyone financially capable to provide support to do so.  Some of those channels extend beyond the arts and entertainment community by design and list opportunities to also contribute needed relief to Chicago neighborhoods and the most vulnerable.

There are several ways to support the theater community.  Individual theater companies as well as all non-profit arts organization accept support through direct donations, the purchase of a ticket, gift cards or subscriptions.  The homepage of your favorite theater or theaters will direct you on how to do so.

If you would like your contributions to be broad based, the City of Chicago and the United Way of Metro Chicago have launched the Chicago Community Covid-19 Response Fund “to unite the funds raised by Chicago’s philanthropies, corporations and individuals to be disbursed to nonprofit organizations across the region”, including those in the arts. 

Click here to donate:  https://www.chicagocovid19responsefund.org/

One Chicago entertainment institution’s Training Center is taking comedy to the clouds by offering classes online. To find out more about or enroll in Second City’s comedy at home lessons, visit:   https://www.secondcity.com/comedyfromyourcouch.   Areas of focus include “Creating and Pitching Your TV Series”, “Teen Standup” and “Voiceover 101”.

Day of Absence, Refreshed and Brilliant at VG

March 6, 2020 By Mitchell Oldham

Sonya Madrigal, Ann Joseph, Bryant Hayes – Jazmyne Fountain photography

When Douglas Turner Ward wrote his pioneering one act play, Day of Absence, in 1965; he had a very clear intent.  He wanted to write a play exclusively for a black audience.  An audience that did not then exist. He was also working with a highly specific set of objectives.  Expectedly, he wanted to write a play that spoke to the lives black people lived, but he also aimed to create a work that was implicit and allowed his audience to fill in the blanks.  One that was subtle and edged with fine threads of sophistication.  And just as importantly, he wanted to write something that did not put his audience to sleep.

He came up with two plays, both in one acts, Happy Ending and Day of Absence that played simultaneously at the St. Mark’s Playhouse in New York.  Both plays grew legs and are regularly reprised on the contemporary stage. 

Douglas Turner Ward – photo courtesy WNYC

When they were originally created 55 years ago, Ward also had to track down and recruit an audience by going anywhere the black public gathered; social clubs, union halls, beauty shops to rustle them up.  His tactic worked and the productions played over 500 shows at the St. Mark’s. 

Congo Square is only presenting Day of Absence on Victory Garden’s Christiansen stage right now.  And as wonderful as it is, the current production won’t be running as long as it did when the play debuted back in ‘65.   Making it even more of a must see. Even today it’s startling to see what Ward did with this jewel.  A spare play with very few props, Day of Absence, like any top-tier theatrical creation intended for live performance, thrives on a gleaming story and fantastic characters.  And it achieves everything Ward originally hoped to accomplish plus. 

Taking an approach that says, “We know how you see us, now let us show you how we see you”, Day of Absence is all about reversals and looking at the world through different eyes.  Normally, the cast is all Black.  But this updated adaptation broadens what “black” is by making it anyone not white; resulting in cast made up of both brown and black performers.

Kelvin Roston Jr and Ronald L. Conner – Jazmyne Fountain photography

The overriding constant is that the play is still performed in white face, (and lots of wigs) with minorities portraying whites in a small southern town.

Opening quietly, a couple of regular guys working in a mall are just getting their day started. Luke (Ronald L. Conner) and Clem (Kelvin Roster, Jr.) share small talk southern style and toss shout outs to regulars as they peruse the routine landscape of their work lives.  Clem’s older and Teddy Bear homey, Luke’s younger, gruffer and lost in his cell phone.  It takes a minute or two, more like several, but Clem finally picks up on something.  Something that’s not quite right or out of kilter.  Suddenly stricken, he realizes he hasn’t seen a black person all day.  Half the population.  Luke’s slower to accept something that ridiculous.  Until he can’t do otherwise. 

Jordan Arredondo, Meagan Dilworth – Jazmyne Fountain photography

Performed as satire, Day of Absence chronicles what happens when a constant of life disappears.  One that you may take for granted, resignedly tolerate or even benignly dismiss depending on your mood.  More interestingly, it’s a story about how people react.  What do they say and do in what quickly escalates into crisis and chaos. 

Anthony Irons directed the production and achieved a master stroke by having his characters, or more precisely his characterizations, vie with the plot for overall strength.  The way Ronald Conner portrays nonchalant insouciance is about as winning as it gets.  Later we find him equally transfixing playing a completely different role.  Roston, with his delicious phrasing and the pitch perfect softness of his drawl, is just as effective as Clem.

Ronald L. Conner, Ann Joseph – photo Jazmyne Fountain

The action streams briskly through three backdrops.  The mall, John and Mary’s bedroom and the mayor’s office.  John (Jordan Arredondo) and Mary (Meagan Dilworth) make their discovery of the vanishing rudely when their new born wails plaintively through the night and there’s no one to tend to it.  There’s no Kiki, no Black three-in-one, nursemaid housemaid cook, to intervene and relieve the stress of parenthood.    Dilworth’s Mary is so preciously inept at doing anything useful you’re tempted to feel sorry for her.  But that sympathy would be horribly misplaced.  Dilworth still makes a splendid Mary whose only skill is to function as a household “decoration”.  Arredondo as her husband fills his role to the brim with manly character and pragmatism.  When he valiantly volunteers to go the hood to look for Kiki and finds nothing short of a ghost town where “not even a little black dog” could be sighted, he’s all business and entitled indignation.

Ward created the consummate repository for the town’s angst and ire in the mayor.  And director Irons knew exactly how to shape the character as an unforgettable foil. Unflappable and supremely confident, the mayor’s sense of privilege and the power she insinuates take on regal dimensions.  In the right hands and under the right direction, it’s a fantastic role and one that Ann Joseph fills beautifully.  Ordinarily a male actor plays the part and Jackson is the last name of his female personal assistant/secretary/gopher.   Here Jackson is the second role Mr. Conner inhabits so vividly and with so much virtuosity.  Always on point and a bit self-consciously effete, he’s deferential to a fault and ever vigilant about watching his own back.

Ward shrewdly built a lot of humor into the play.  And this effort takes advantage of every morsel.  It even adds more zest causing the whole affair to frequently tip over into the hilarious.   The perfume skit alone deserves its own baby Tony award.  Despite the outright comedy, the underlying subtext couldn’t be more biting.  Bryant Hayes as Clan and Kelvin Roston, Jr. in his dual role as Rev. Pious represent the true demons Ward is battling in his lasting contribution to the American stage.

This adaptation, cleverly updated with the playwright’s permission, makes it shine like new money.  

Day of Absence

Through March 27, 2020

Victory Gardens Theater

2433 N. Lincoln Ave.

773-871-3000

www.congosquaretheatre.com

A Fiery Birthday with the Boys

February 25, 2020 By Mitchell Oldham

William Marquez, Kyle Patrick, Sam Bell Gurwitz, Denzel Tsopnang in Windy City Playhouse’s Boys in the Band, photo credit Michael Brosilow

Time and a change of perspective can allow you to appreciate things you once abhorred. That maxim can be true of many things.  Music, art, food.  People.  It was true of Boys in the Band.  When Mart Crowley’s 1968 bombshell of a play rolled out on celluloid in 1970, it rightfully caused the world to shutter.  Never had anyone so boldly pulled back the curtain to reveal the inner-life of the dispossessed as vividly or as candidly as Mr. Crowley had done.  Now celebrating its 50th anniversary, people are still wondering how accurate his painful picture of gay life is.    

Having recently experienced the very fine Windy City Playhouse immersive take on the play, there’s no doubt many will be wondering the same thing 50 years from now.

The cast of Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

Listening to Mr. Crowley talk about how he came to write his landmark; how he was broke, out of work, without prospects and angry, the cathartic aura surrounding the play was finally given a cause.  Still, because you don’t expect friendship to take on such ruthlessly hurtful dimensions, those explanations don’t satisfy the question of intensity or the depths of some the play’s caustic plunges.

William Boles scenic design played a key role in helping to provide the audience a tactile understanding of the times, place and people at this dark birthday party Michael (Jackson Evans) was throwing for his newly 32-year-old best friend Harold.  Ushered six at a time through a tastefully appointed residential lobby and taken up the pretend elevator to the 5th floor, the audience enters Michael’s resplendent apartment as if they themselves were guests.  The party hadn’t started.  Michael wasn’t there.  You could walk around and admire his beautiful spirit decanters.  The lovely artistic touches.  The drama of the sunken conversation pit.  70s chic at its highest.   All in deep red with accents in gold and in blue. The room radiated not only success, but power.

The set of Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

After everyone’s settled, Michael sweeps in doing last minute party preparation things.  Putting the food out and the music on.  You notice that even when the first guest, Donald (Jordan Dell Harris) arrives, things aren’t particularly warm.  Nor are you immediately clear on Michael and Donald’s relationship.  They’re more than just friends but not exactly lovers either?  And even though Donald’s sparring skills are impressive, Michael seems to take pleasure in baiting him with petty criticism.  Everyone else flows in shortly after Donald goes up to change.  Emory (William Marquez) and Bernard (Denzel Tsopnang) arrive together.  Lovers Larry (James Lee) and Hank (Ryan Reilly) are carrying the vestiges of a something bitter between them into the party.  It’s a spat that will continue to swell throughout the play.  Then Harold’s birthday present gets there much too early.  A prostitute, Cowboy is as dull witted as he is beautiful.  Even though he’s taunted by nearly everyone for his lack of intelligence, he’s also silently envied for his physical exceptionalism.  And there’s a straight outlier in the mix.  Michael’s close friend from college, back in a time when he was still in the closet, was in town and needed to see him.  So much so that he wept with desperation when talking to Michael on the phone.  Not being able to dissuade him, Michael invited Alan (Christian Edwin Cook) to the party as well, hoping to somehow camouflage the party’s gay complexion.

Christian Edwin Cook as Alan in Windy City Playhouse’s production of The Boys in the Band, photo credit- Michael Brosilow

The dynamics of the party are already roiling by the time he shows up.  Emory is being quintessential Emory.  So gay.  Not defiantly; more in a liberation of self sort of way.  His racial digs at Bernard, the only Black member of the party, were unsurprisingly catty but very curious.  Were these swipes supposed to be expressions of the times are something else?   Marquez made a splendid Emory.  Later, when he apologized to Bernard for his callousness, promising not to cause such conscious hurt in the future, he was contrite enough and sincere enough to be ingratiatingly convincing.  Which highlights one of key joys of the play; it’s exceptional casting.  The spat that would not die between Hank and Larry centered on Larry’s inability, in fact his refusal, to be faithful to Hank; who had left his wife and children to be with him.  Both James Lee as Larry and Ryan Reilly as Hank deliver a lot of honesty in their portrayals of what two people, who genuinely love one another, are willing to sacrifice to conquer an imposing barrier together. 

Denzel Tsopnang, William Marquez, James Lee and Jackson Evans in Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

Christian Edwin Cook’s characterization of Alan, Michael’s straight friend, proved the most surprising because of the voice director Carl Menninger chose for him to use.  He spoke with the diction and phrasing characteristic of blue bloods in the era when the Carnegies and Vanderbilts were flying high.  His speech alone set him apart from everyone else at the party.  Emory’s effeminacy however brought out his bile and even pushed him to violence.  His punishment:  he must remain at the party. 

Unfortunately, Tsopnang’s Bernard was the least developed of the eight central characters.  When Michael comes up with his insidious parlor game of calling the person you’ve always in your heart-of-hearts truly loved, and telling them your feelings for them, Bernard’s the first to gamely take up the challenge.  It was only then did we catch a tiny glimpse of his inner core.   By this time, everybody had had enough liquid courage to consider doing something so exposing and so ripe for humiliation.  Who Bernard chose to call was also marked by the kind of class and race disparities that shout futility. 

Jackson Evans and WIlliam Marquez in Windy City Playhouse’s The Boys in the Band, photo credit Michael Brosilow

Harold (Sam Bell-Gurvitz) had grandly made his infamous “32-year-old, ugly, pock marked Jew fairy” entrance by the time the game was in full swing.  Despite it ushering in the possibility of something positive for Larry and Hank, as it continues, the game seems to dredge up nothing but pain.  Michael’s adamancy about playing it turns pathological when you realize he’s the only one not drunk.  He’s been on the wagon for five weeks and therefore without an excuse for insisting that everyone take this wanton drive off a cliff.  When it back fires, sorrow for him does not exist.  And when he makes his plea like statement, “If we could just not hate ourselves so much”, you wonder why he doesn’t just direct that question to himself. 

Stonewall happened just one year after The Boys in the Band premiered off Broadway.  Led by a fistful of outraged fed-up drag queens, another landmark, gay pride, was born.  It’s fascinating to look at these two milestones side by side.  Whether you consider them a “before and after” or a continuum, they both are about community; with all the complexity the word embodies. 

Under Mr. Menninger’s enlightened direction, and mounted on Mr. Boles sensational set, Windy City’s staging of The Boys in the Band has proven a highpoint in the theater season.  It’s also an ideal example of how well an immersive approach to theater aids in fully absorbing a captivating story.

The Boys in the Band

Through April 19th, 2020

Windy City Playhouse

3014 Irving Park Rd.

Chicago, IL   60618

windycityplayhouse.com

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